About the Author
Lex Runciman was born in Portland, Oregon’s old St. Vincent’s Hospital and was soon thereafter adopted by the good people who gave him his name.
A graduate of Santa Clara University (BA, 1973), he worked as a warehouseman and office clerk before being admitted to the graduate creative writing program at the University of Montana. There he studied with Richard Hugo and Madeline DeFrees (MFA, 1977) and co-edited Where We Are: The Montana Poets Anthology (CutBank/SmokeRoot Press, 1978). He went on to study with Dave Smith at the University of Utah, graduating in 1981 with a Ph.D. in English and Creative Writing.
His work has been recognized with the Oregon Book Award, the Silcox Prize, the Vern Rutsala Award, and the Sherwin W. Howard Poetry Award from Weber-The Contemporary West. Individual poems have appeared in Ploughshares, Nimrod, Valparaiso Poetry Review, Poetry East, Northwest Review, Poetry Ireland Review, and a variety of others. A chapter discussing his work concludes Erik Muller’s Durable Goods (Mountain & Rivers Press, 2017).
Runciman’s long time teaching career included eleven years at Oregon State University and twenty-five years at Linfield University, where he was twice named Edith Green Distinguished Professor.
He and his wife, Debbie, have been married over 50 years. They are parents to two and grandparents to four. After stints in Corvallis and McMinnville, they’re now Portlanders.
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Cornerstone Press, 2026.
In Light in the Evergreens, Lex Runciman writes with remarkable clarity and steadiness of attention—to seabirds on windblown cliffs, to the long conversation between artists across centuries, and to the fragile dignity of human life. These poems move between beauty and grief, history and the present moment, asking how we live with one another in a world that is both troubled and astonishing. Runciman is a poet of deep intelligence and humane witness, reminding us that careful attention—to the world, to art, to one another—is itself a form of hope.
CMarie Fuhrman, author of Salmon Weather: Writing From the Land of No Return and Cascadia Field Guide: Art, Ecology, and Poetry
You don’t foresee the best poems. In a way, they all look alike—a family of vast resemblances. But you might, as with Lex Runciman’s poems, forehear them. There is a rightness in their cadences; there is something sacred in their saying. Runciman writes of a heron, “its every ungainly step / a syllable, a languid liquid wingbeat syntax,” stringing together four trochaic feet in that last phrase, and the heron’s locomotion, ungainly though it might be, is so clearly heard it is visible in your mind’s lucky eye as something closer to dance than description. That sort of sonic precision is everywhere in Light In the Evergreens. What he writes is, by definition, what the best poetry is. You can hear it on every page.
Robert Wrigley, author of The True Account of Myself as a Bird
“Lex Runciman takes a “full, clear, compass look” at our world — both natural and human — and writes with precision and feeling about those things we may lose, and what we have already lost. He celebrates the quieter joys — long love, the flora and fauna of Oregon, a deep sense of community — and makes space for us to do the same. Light in the Evergreens is a delight — thoughtful, generous, and fully present.”
Hilary Menos, author of VOX Wah Wah
“The superb natural imagery of Lex Runciman’s poetry displays an artistic vision filled with focused precision and written in a lyrical language that both engages and enlightens readers. Works from Light in the Evergreens elegantly blend a range of themes related to a celebration of life and how precious the poet finds living in the present to be. As well, he praises the merits of memory through wise commemoration of passing time and aging or when he honors and mourns lost loved ones. Whether Runciman’s sources of inspiration originate in personal emotional experiences with family and friends or are drawn from evocative examples provided by visual artists and his precursors in literature, the marvelous poems in this collection are always completely authentic and powerfully compelling.”
Edward Byrne, author, editor Valparaiso Poetry Review, and chronicler and photographer of The Indiana Dunes project.
Cover image by Judith Bergerson. Find her work at https://judithbergerson.com/
Earlier Books
Unlooked For, Salmon Poetry, 2022
Salt Moons, Salmon Poetry, 2017
For more information on Salmon Poetry titles at salmonpoetry.com , click on any of the images above.
One Hour That Morning, Salmon Poetry, 2014
One Hour That Morning, Salmon Poetry, 2014
Earlier titles include
Starting from Anywhere, Salmon Poetry, 2009
Out of Town, Cloudbank Books, 2004
The Admirations, Lynx House Press, 1989. Oregon Book Award Winner
Luck, Owl Creek Press, 1981
Upcoming events:
2026:
Oct. 16th, 7pm, The Magic Barrel, Majestic Theater, Corvallis
Oct. 22nd, 6pm., Broadway Books, Portland
Nov. 12th, Salem Poetry Project, with Jeff Fearnside, Bush Barn Annex, Salem
2027